Hand-finished, ultra light, reversible, the slippers are designed to radiate warmth in both appearance and feel.

Hand-finished, ultra light, reversible, the slippers are designed to radiate warmth in both appearance and feel.

Hand-finished, ultra light, reversible, the slippers are designed to radiate warmth in both appearance and feel.

Hand-finished, ultra light, reversible, the slippers are designed to radiate warmth in both appearance and feel.

Fits the Bowl 90, Cup 90, and Mug 90 — turning any of them into a lidded vessel for moving food from table to refrigerator without wrapping. The flat surface...

A plate stand made from cherry wood, oil-finished. The mid-size in a set of three, designed for displaying ceramics without competing with them. The torque hinge sets the opening angle...

A chestnut wood lid that fits the size 90 Bowl, Cup and Mug from the TRIP WARE series. The hole in the centre is sized to hold a butter knife...

A plate stand made from cherry wood, oil-finished. The smallest in a set of three — suited to smaller plates, tiles, or any flat object worth displaying properly. Torque hinge...

A square oak tray finished with walnut oil rather than lacquer — the wood's own grain and texture come through directly, and the surface develops character with use. The handle...

A chestnut wood lid that fits the size 90 Bowl, Cup and Mug from the TRIP WARE series — and doubles as a coaster when not covering anything. Clean and...

Made in Seki, Gifu. A 130mm blade that works at the table as well as at the worktop — peeling fruit, slicing smaller ingredients, or handling most daily kitchen tasks...

A plate stand made from cherry wood, oil-finished. Designed on commission from Nishikizan Kiln — a Kutani overglaze studio — who needed something appropriate for displaying fine ceramics without competing...

Made in Seki, Gifu — a city with centuries of blade-making tradition — this is the everyday chef's knife in the series. The 180mm blade is the size that handles...

Made by woodworker Takeshi Sasaki, who planes each piece by hand. The oak is finished with walnut oil rather than lacquer, leaving the grain visible and the surface honest to...

A small oak tray finished with walnut oil — the wood's grain comes through directly, and the surface develops warmth with use. The handle recess is shaped so fingers find...

A single round bar bent into a bow — a minimal arc that holds chopsticks with quiet presence. Matched in length to the other short-type rests in the series.Part of...

An oval form in the long size — wide enough to hold a spoon and chopsticks together. The gentle arch of the round bar lifts the utensil cleanly off the...

A round bar bent into a circle — a form that doubles as a ladle rest when not in use as a chopstick rest. The ring sits stably on a...

An oval form in the short size — matched in length to the other compact rests in the series, so they sit consistently together on the table. The gentle arch...

The smaller version of the Rectangle — sized to match the other short-form rests in the series, so they sit together on the table without visual interruption. The flat stainless...

Made in Seki, Gifu — a city with centuries of blade-making tradition — this is the larger of the two chef's knives in the series. At 210mm the blade handles...

The same round bar material that runs through the Stainless Round Bar Series — bent, shaped and finished into a place to rest chopsticks between bites. Long enough to hold...

Two round bars crossed — a simple X that holds its form and lifts chopsticks clearly off the table. Matched in length to the other short-type rests in the series...

A small mug for tea, coffee, or whatever the morning calls for. The handle is set at a height that lets mugs stack with each other and with cups in...